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Hamari Adhuri Kahani

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Hamari Adhuri Kahani review, Hamari Adhuri Kahani, Hamari Adhuri  Kahani movie review, Vidya Balan, Emraan Hashmi, Hamari Adhuri Kahani review,

Meet Vasudha, young mom of little boy, making a hard living in the hospitality business; Hari, her husband, burdened with a dark past; and Arav, handsome tycoon, thirsting for romance. You are promised a touching love story; you get zilch.

When the trio of Vidya Balan, Rajkummar Rao and Emraan Hashmi — competent actors all, Rao even better — comes together, you expect something. At the very least, a tug at the heartstrings. Because a ‘prem kahani’ is nothing if it doesn’t touch you deep inside, and make you yearn.

What ‘Hamari Adhuri Kahani’ does is the exact opposite. It purports to be an unusual triangle, and perhaps on paper, it may have come off as one. But this is a shockingly empty film, with the entire cast desperately ‘acting away’, and not one sentiment that feels real.

And that can be put down to the terrible writing. Jerky, stagey sequences are piled upon each other. Characters are arrayed against static backdrops, and made to spout the kind of dialogue which remind you of creaky yesteryear movies best forgotten.

This is the kind of part–a woman ricocheting between a brutish husband, a noble lover, and a son –that Vidya Balan could have aced. She tries hard, her eyes swimming frequently, but drowns in such lines as these: ‘main kisi aur ki miliqiyat hoon.’ ‘Miliqiyat’? Seriously? In 2015?

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